Works combining photography and painting that explore spaces of connection, conjunction, and reunion, shaped by geological and geopolitical fractures. Suture investigates the relationship between separation and connection, moving through the liminal space between land and sea, where coastlines, edges, and horizons become sites of transition and potential contact. Fractures and discontinuities thus become metaphors for territories in which uncertainty can generate new forms of relationship, transformation, and change.

Three Mail Art works created for a group exhibition dedicated to Piermario Ciani, a central figure in the Friulian artistic and countercultural scene. Originally from Bertiolo, Ciani was a key participant in the vibrant cultural scene of Udine and Pordenone from the late 1970s through the 1980s, bringing together photography, music, graphic design, xerography, fanzines, and Mail Art. A witness and interpreter of the Pordenone punk and new wave scene associated with the Great Complotto, he transformed photography and graphic experimentation into tools for connection, documentation, and exchange.

The project Essere e non essere, essere per non essere takes its starting point from a series of photographs of specimens from the collections of the Zoology Museum of the University of Bologna.
It develops into a reflection on the divisive nature of our civilization, which, through its analytical approach and its method of understanding based on identifying and studying individual details by breaking down an organic whole, ends up confusing life and death.
The project consists of works conceived for different media, including photographs, prints, mixed-media works on paper, photomontages, digital image manipulations, and written notes.

The project To Be and Not to Be, To Be in Order Not to Be takes its inspiration from a series of photographs of specimens from the collections of the Museum of Zoology at the University of Bologna.
It gives rise to a reflection on the divisive nature of our civilization, which, through its analytical approach—grounded in a method of acquiring knowledge that proceeds by identifying and studying individual details through the dissection of an organic whole—confuses life and death.
The project comprises works conceived for different media, including photographs, prints, mixed-media works on paper, photomontages, digital photo manipulations, and written notes.

Day after day, tragedy becomes the norm, and the numbers become commonplace.

Works created jointly with Enzo Navarra, reinterpreting the prints in the poetry volume Il raglio dell’asino “The Donkey’s Braying”.

The Wound in the Gaze is a series of artworks dedicated to the idea of “painful beauty”: a beauty that makes us vulnerable and prompts us to see differently, to experience, and to abandon the comforting ground of the familiar in order to explore what lies beyond ourselves.

Art book, featuring poems by Enzo Navarra and graphic works and photographs by Alessandro Vascotto. The starting point for an exhibition of collaborative works created by the two artists at the Trart space in Trieste.

In Darkness, We Grow is a project comprising numerous works created with and for different media, centered on the ambivalence of darkness, understood both as a place of fear and unease and as a space for growth and protection.
Life, in all its uncertainty and impermanence, unfolds in its earliest stages sheltered from the light.